Row, row,
row your boat
Gently down the stream.
Merrily, merrily, merrily, merrily,
Life is but a dream.
-- Children’s Nursery Rhyme
Oh sure, you had the same
dreamy thoughts as I did about photographing a bunch of
young, hot athletic rowers from
Washington’s DC Strokes gay crew club. Regardless of
what your definition of what sexy is, rowing is anything
but. These guys not only work hard, but they do it at
5:30 a.m. and practice into the night through all kinds
of extreme weather and temperatures.
When the guys first
approached me about their idea to do a calendar, I said
“yes,” thinking it would never happen. Putting
a calendar together is a lot of work, and I didn’t
believe they would follow through with that much
effort. But they were smart and got graphic designer
Tony Frye involved, making it a reality.
With the first photo
session on a day in March that had to set a record for
low temperatures, I was afraid the cold would freeze my
camera. I secretly hoped that none of them would show up
so I could get back to the warmth of my home. But there
they were on the edge of the Potomac, wearing the
skimpiest of outfits – a uniform that affords absolutely
no protection. Just try and look hot when freezing your
butt off. I thought they must have ice in their veins.
Their patience extended
through subsequent sessions over the next six months and
under the most unrelenting heat and humidity that is so
characteristic of DC’s brutal summers. To my surprise, I
never heard a whimper or complaint.
My opinion of these guys
changed dramatically as we took photo after photo after
photo. There was a lot of waiting around, changing
clothes, moving boats in and out of the water, but they
had nothing but smiles. I realized that rowing is a
cohesive sport that extended on land, too. They not only
rowed together, but made sure they pulled together as a
support system when teammates had to navigate obstacles
in their lives, staying in close touch whether members
were in Iraq, Afghanistan or the White House. The
“rowers-in-training” function as a cheering squad for
the A-team during regattas. One would have thought they
were in the same boat with their teammates. Their
cheering alone would frighten any competitor, so that
day when they beat the guys from the straight team, it
was more than a Kodak moment, it was Olympic gold. The
unity was inspiring.
When I got the calendar
assignment, I called Cyd Zeigler at Outsports to get his
advice about photographing a rowing crew, and his input
was valuable -- make each shot realistic and germane to
rowing. In other words, don’t fake it.
While the goal was to
show the crew as a team, I also wanted to provide
insights about them as individuals, hence more candid
and personal individual shots were included.
The early morning
sessions presented the biggest challenge, as the dock
faces directly into the rising sun. Conversely, it was
the opposite in the afternoon, so the reflection off the
water always presented a problem. Most of the indoor
shots were in my DC home or studio, where I used softbox
lighting and sometimes very low or available light. Even
though I knew the calendar would be black and white, I
shot everything in color and Tony converted the images
in the editing process.
Because the guys were not
models and probably not as comfortable being
photographed up so close, I tried to use my background
as a former journalist to converse with them, attempting
to divert their attention from the camera or the
process. In each case, the best images came near the end
of their individual sessions when they were more
relaxed. No surprise there.